Saturday, 6 September 2008

Mp3 music: Motorhead






Motorhead
   

Artist: Motorhead: mp3 download


   Genre(s): 

Metal: Heavy
Metal
Rock
Rock: Hard-Rock

   







Motorhead's discography:


The Essential
   

 The Essential

   Year: 2007   

Tracks: 39
Kiss Of Death
   

 Kiss Of Death

   Year: 2006   

Tracks: 12
Inferno
   

 Inferno

   Year: 2004   

Tracks: 12
Stone Deaf Forever! (CD 5) - Live 1978-1999
   

 Stone Deaf Forever! (CD 5) - Live 1978-1999

   Year: 2003   

Tracks: 21
Stone Deaf Forever! (CD 4) - 1996-2002
   

 Stone Deaf Forever! (CD 4) - 1996-2002

   Year: 2003   

Tracks: 16
Stone Deaf Forever! (CD 3) - 1987-1996
   

 Stone Deaf Forever! (CD 3) - 1987-1996

   Year: 2003   

Tracks: 19
Tear Ya Down: The Rarities (CD 2)
   

 Tear Ya Down: The Rarities (CD 2)

   Year: 2002   

Tracks: 14
Tear Ya Down: The Rarities (CD 1)
   

 Tear Ya Down: The Rarities (CD 1)

   Year: 2002   

Tracks: 11
Hammered (Bonus Disc)
   

 Hammered (Bonus Disc)

   Year: 2002   

Tracks: 3
Hammered
   

 Hammered

   Year: 2002   

Tracks: 11
25 and Alive Boneshaker
   

 25 and Alive Boneshaker

   Year: 2001   

Tracks: 17
We are Motorhead
   

 We are Motorhead

   Year: 2000   

Tracks: 10
Everything Louder Than Everyone Else CD2
   

 Everything Louder Than Everyone Else CD2

   Year: 1999   

Tracks: 15
Everything Louder Than Everyone Else CD1
   

 Everything Louder Than Everyone Else CD1

   Year: 1999   

Tracks: 14
On Parole (Remastered)
   

 On Parole (Remastered)

   Year: 1997   

Tracks: 13
Liar
   

 Liar

   Year: 1997   

Tracks: 12
Overnight Sensation
   

 Overnight Sensation

   Year: 1996   

Tracks: 11
No Remorse (CD 1)
   

 No Remorse (CD 1)

   Year: 1996   

Tracks: 12
Sacrifice
   

 Sacrifice

   Year: 1995   

Tracks: 11
Bastards
   

 Bastards

   Year: 1993   

Tracks: 12
All The Aces: The Best Of
   

 All The Aces: The Best Of

   Year: 1993   

Tracks: 15
March Or Die
   

 March Or Die

   Year: 1992   

Tracks: 11
1916
   

 1916

   Year: 1991   

Tracks: 11
Rock'n'Roll
   

 Rock'n'Roll

   Year: 1987   

Tracks: 11
Orgasmatron
   

 Orgasmatron

   Year: 1986   

Tracks: 9
Another Perfect Day
   

 Another Perfect Day

   Year: 1983   

Tracks: 10
Iron Fist
   

 Iron Fist

   Year: 1982   

Tracks: 12
No Sleep 'Til Hammersmith CD2
   

 No Sleep 'Til Hammersmith CD2

   Year: 1981   

Tracks: 11
No Sleep 'Til Hammersmith CD1
   

 No Sleep 'Til Hammersmith CD1

   Year: 1981   

Tracks: 18
Overkill
   

 Overkill

   Year: 1979   

Tracks: 11
Bomber
   

 Bomber

   Year: 1979   

Tracks: 10
Motorhead
   

 Motorhead

   Year: 1977   

Tracks: 13
Ace of Spades
   

 Ace of Spades

   Year:    

Tracks: 15






Motörhead's overpoweringly forte and fast style of heavy alloy was one of the most groundbreaking ceremony styles the genre had to offer in the previous '70s. Though the group's loss leader, Lemmy Kilminster, had his roots in the hard-rocking distance rock striation Hawkwind, Motörhead didn't nettle with his old group's progressive tendencies, choosing to hyperbolise the heavy biker rock candy elements of Hawkwind with the velocity of strong-armer rocker rock candy. Motörhead wasn't tough rock -- they formed ahead the Sex Pistols and they loved the hell-for-leather imagery of bikers excessively much to conform with the safety-pinned, ripped T-shirts of tough -- only they were the first metal striation to rein that promote and, in the process, they created speed admixture and flail metal. Unlike many of their contemporaries, Motörhead continued acting into the side by side century. Although the circle changed its lineup many, many multiplication -- Lemmy was its only consistent member -- they never changed their hot effective.


The word of a vicar, Lemmy Kilmister (born Ian Fraiser Kilmister; December 24, 1945) first began acting rock & roll in 1964, when he united deuce local Blackpool, England, R&B bands, the Rainmakers and the Motown Sect. Over the course of action of the '60s, he played with a number of bands -- including the Rockin' Vickers, Gopal's Dream, and Opal Butterfly -- as good as in brief working as a roadie for Jimi Hendrix. In 1971, he joined the heavy prog rock band Hawkwind as a bassist. Lemmy was originally slated to stay with the ring only 6 months, yet he stayed with the group for four years. During that time, he wrote and sung various songs with the band, including their signature birdsong, the issue three U.K. hit "Flatware Machine" (1972).


Lemmy was kicked out of Hawkwind in the spring of 1975, after he exhausted five years in a Canadian prison house for drug possession. Once he returned to England, Kilminster set some forming a new band. Originally, it was to have got been called "Bastard," but he before long decided to address the isthmus Motörhead, named afterwards the last song he wrote for Hawkwind. Lemmy drafted in Pink Fairies guitarist Larry Wallis and drummer Lucas Fox to round of golf stunned the card. Motörhead made its debut encouraging Greenslade in July. Two months by and by, the grouping headed into the studio to make believe its debut album for United Artists with producer Dave Edmunds. Motörhead and Edmunds clashed over the way of recording, resulting in the chemical group ignition the producer and replacement him with Fritz Fryer. At the end of the year, Fox left the band and Lemmy replaced him with his acquaintance, Philthy Animal (born Philip Taylor), an amateur musician.


Motörhead delivered its debut album to UA early in 1976, but the label spurned the record album. Shortly afterwards, other Blue Goose and Continuous Performance guitarist "Fast" Eddie Clarke joined the band. Following one rehearsal as a four-piece, Wallis left the band, going away Motörhead as a trio; this is the lineup that would later be recalled as the group's classic period. However, the band spent virtually of 1976 struggling, playing without a concentrate or coach and generating little money. At the end of the year, they thin a single, "Elwyn Brooks White Line Fever"/"Leavin' Here," for Stiff Records which wasn't released until iI geezerhood later. By the summer of 1977, the grouping had signed a one-record contract with Chiswick Records, cathartic their eponymic debut in June; it under the weather at number 43 on the U.K. charts. A year later on, the band sign with Bronze Records.


Overkill, Motörhead's first album for Bronze, was released in the springiness of 1979. The album peaked at number 24, piece its claim running became the band's low gear Top 40 strike. Motörhead continued to gain momentum, as their concerts were marketing advantageously and Bomber, the reexamination to Overkill, reached number 12 upon its fall button. The band was doing so well that UA released the spurned album at the end of the year as On Parole. Allied Command Europe of Spades, released in the fall of 1980, became a number foursome hit, piece the single of the same name reached number 15.


I of Spades became Motörhead's first American album, in time the group was making small head in the U.S., where they only registered as a cultus act. Back in England, the situation could scarcely get been more different. Motörhead was at the peak of its popularity in 1981, cathartic a hit coaction with the all-female grouping Girlschool entitled Headgirl and entrance the charts at number i with their live record album, No Sleep 'Til Hammersmith. Though the chemical group was rising commercially, on that point was stress within the ring, particularly betwixt Clarke and Lemmy. Clarke left the band during the encouraging spell for 1982's Branding iron Fist, reportedly maddened by Kilmister's planned quislingism with Wendy O. Williams. Former Thin Lizzy guitarist Brian Robertson replaced Clarke.


The new lineup released Another Perfect Day in the summer of 1983. Some other Perfect Day was a disappointment, only reaching number 20 in the U.K. Robertson left two months later, being replaced by 2 guitarists: former Persian Risk member Phillip Campbell and Wurzel (innate Michael Burston). Shortly afterwards, Taylor left to join Robertson's band Operator, and was replaced by quondam Saxon drummer Pete Gill. This lineup released a single, "Killed by Death," in September of 1984, just short subsequently the group left hand Bronze and the label filed an injunction against the dance band. As a result, Motörhead was prevented from cathartic whatever recordings -- including a outlandish collaboration betwixt Lemmy and page-three girl Samantha Fox -- for deuce years.


Motörhead in conclusion returned to legal action in 1986, first-class honours degree with a track on the charity compilation Hear 'n Aid and later with the Bill Laswell-produced Orgasmatron, which was released on their new label, GWR. Orgasmatron was successful with the band's still-dedicated cult consultation in England and America, and received some of the group's best reviews to date. The following twelvemonth, they released Rock 'n' roll 'N' Roll, which was evenly successful. In 1988, the live No Sleep at All appeared, and Lemmy made his playing debut in the drollery Wipe out the Rich. Two days later, the dance band gestural to WTG and released The Birthday Party. Taylor shortly rejoined the band in 1991, appearance on that year's 1916, ahead Mikkey Dee, at one time of King Diamond, took all over on drums. Dee's first gear record album with the dance band was 1992's March or Die, which didn't graph in the U.S. withal played to their U.K. religious cult undermentioned. WTG dropped the band later the album's release and the band started their own label, fittingly called Motörhead, which was distributed through ZYX. Their first train record record album for the pronounce was 1994's Bastards.


For the remainder of the '90s, Motörhead saturated on touring more than than recording. Outside of the band, Lemmy appeared in indemnity commercials in Britain. He also acted in Hellraiser 3 and had a cameo in the erotica picture Saint John Wayne Bobbit Uncut. In 97, the group stirred to the metal-oriented indie pronounce Receiver and released Isidor Feinstein Stone Dead Forever; the live Everything Louder Than Everyone Else followed in 1999, and a year later they returned with We Are Motörhead. Hammered appeared in 2002 and was followed by 2004's Perdition. In 2005 the Sanctuary label reissued some of the band's graeco-Roman albums (Overkill, ACE of Spades, and Iron Fist) in two-CD luxe editions. A appeal of all-new material, Kiss of Death, arrived in 2006.





Pooling Of Birth Cohorts Provides Insights Into The Role Of Genes And The Environment In Asthma

Wednesday, 27 August 2008

Download T-Pain mp3






T-Pain
   

Artist: T-Pain: mp3 download


   Genre(s): 

R&B: Soul
Rap: Hip-Hop
Electronic
Other

   







Discography:


Epiphany
   

 Epiphany

   Year: 2007   

Tracks: 17
I'm Sprung
   

 I'm Sprung

   Year: 2006   

Tracks: 18
Back At It
   

 Back At It

   Year: 2006   

Tracks: 28
Rappa Ternt Sanga
   

 Rappa Ternt Sanga

   Year: 2005   

Tracks: 18






Tallahassee-based MC and vocalizer T-Pain (natural Faheem Najm) came up in a rap radical called Nappy Headz but went professional as a solo R&B artist later on he recorded "I'm F**ked Up," a personal demand on Akon's Top Ten strike "Locked Up." Akon heard the track and took T-Pain under his wing with a narrow on his Jive-distributed Kovict Muzik label. Produced and written largely by T-Pain, Rappa Ternt Sanga was released in December 2005, light-emitting diode by the Top 20 individual "I'm Sprung." Epiphany followed in June 2007.





Scarlett Kisses & Tells

Sunday, 17 August 2008

Download Paul Cardall mp3






Paul Cardall
   

Artist: Paul Cardall: mp3 download


   Genre(s): 

Ambient

   







Discography:


Hymns
   

 Hymns

   Year: 1999   

Tracks: 16






Contemporary nothingness piano player Paul Cardall was innate April 24, 1973; distress from a innate bosom fault, he was given only days to live only defied medical expectations, long-suffering a serial of surgeries and illnesses passim his puerility. Finding comfort in music, Cardall began piano lessons at years eight-spot just foreswear sixer months afterwards, not playing once once again for a 10. While in high school, however, tragedy smitten when one of his best friends was killed in a car fortuity; a grieving Cardall ad libitum composed a musical tribute, going away on to compose a xII more songs and in 1995 in private pressing an album. Around that same prison term he took a job playing piano at a local department stock during the holiday season, merchandising his track record to customers; one copy of the disc made its way of life to author Richard Paul Evans, the writer of the charles Herbert Best seller The Christmas Box, wHO invited Cardall to write and record a musical modification of the al-Qur'an. The resulting album, too highborn The Christmas Box, was released in 1997; upon signing to the Narada label, Cardall reissued the album deuce age by and by in






Thursday, 7 August 2008

Music fans buying expensive concert merchandise but fewer CDs







Just how a great deal are music fans unforced to pay to publicly proclaim their love for their favorite artist?

Some Bon Jovi fans haven't flinched at dropping US$750 for a tour jacket, and a few White Stripes diehards take parted with hundreds of dollars so they could look a little snatch like isaac Bashevis Singer Jack White.

With record gross sales down and music companies looking for ways to create new revenue streams, there ar some novel - and increasingly expensive - items being sold alongside the traditional T-shirts and posters at concerts.

And some fans seem more than than unforced to grease one's palms almost anything that's put in forepart of them.

The White Stripes have had a miscellany of kilts for sale - in their official tartans registered with the International Tartan Index - the most expensive merchandising for US$280. It's made of one C per centime wool and only 10 were made, making it an exclusive collector's item for the serious fan.

The band also sells 2 custom-made cameras - the Jack Holga and Meg Diana, named for bandmates Jack and Meg White - for US$180 each. Only 3,000 of each television camera were made.

For women wHO want to throw their underwear on stage, a growing phone number of rock bands are thoughtfully incorporating thongs into their selection of product available at shows, including Canadian grouping Three Days Grace, which sells panties for $20 each.

Prince sold pillowcases for around US$30 during his tour last year.

But mayhap the near expensive merch currently on sale is Bon Jovi's "Grade A distressed moo-cow hide leather" tour jacket, selling for the jaw-dropping price of US$750 - and fans are buying.

One Norwegian fan commented on the band's official site that she just had to have one - even though her size was no longer uncommitted - and was thrilled with her purchase, contempt the fact that it didn't really fit properly.

"It's a short big for me, being a female, but I still love it. It will be fine in the wintertime, nice to have some place for a perspirer," she wrote. "This is the nearly amazing (piece) of vesture I receive ever owned!"

Others have opted for a bottle of wine from the Bon Jovi touch collection, ranging between US$21.95 for a Chardonnay to US$145 for a 2002 Cabernet Sauvignon.

And for parents who want to excrete on their love of Bon Jovi to their kids, the band has its own baby product line, including onesies for US$20 and blankets for US$30.

It all seems a little ridiculous to Toronto concert buff Mark Churaman, although he admits to having dropped $120 on a Bon Jovi hooded sweatshirt that he only if somewhat regrets buying.

The 23-year-old - world Health Organization goes to as many as trey or four-spot shows a month - is the music industry's dream consumer, willing to pay whatever it costs to draw the latest, coolest piece of merch sold by their front-runner artists.

"If it's someone in the top side five artists that I love and I go to their shows, patently I want to buy a T-shirt or something," said Churaman, who works as an administrative assistant for a major fiscal company.

"If I'm spending $100 for a concert tag and it's someone I really like and I want a souvenir, then price truly isn't an issue."

With the slowdown in album gross revenue and a new reliance on concerts and product to institute in taxation, giving fans what they want has become more and more important to the euphony industry, aforementioned Gary Bongiovanni, editor of music diligence magazine Pollstar.

"It used to be 20 years agone that artists toured to help sell records, just today they tour to make money and hopefully, maybe, they'll sell a few more than records along the way," Bongiovanni said.

"Merchandise sales are now a very important part of their revenue streams, to the item it wouldn't surprise me if most (popular) recording artists make more money off their merchandise than they do off of their recording."

For fans that can't buy a concert ticket - or can't afford unitary - the same ware is ofttimes available on artists' websites, which can resemble full-blown retail outlets.

Avril Lavigne's on-line store features 78 items, ranging from a .99 cent glowstick to a hooded sweatshirt selling for $69.99. She likewise sells underclothing, comic books, belt buckles, tuques, change purses, hand bags - and, of course, T-shirts.

Marty Peters, the merchandising manager for Nettwerk Management, which represents Lavigne, said merchandise revenue is definitely growing and T-shirt sales buttocks sometimes explanation for as much as 30 to 70 per cent of a concert's gross profits.

He said ware companies ar thinking of gimmicky new products to sell plainly because they know fans will corrupt them.

"The companies that are savvy ar seeing where the niches are in the merch business and are constantly chomping at the bit to give you the next best item to offer your artist, to get their name out there and increase their exposure and their gross sales," Peters said.

There's a willingness to subscribe risks to come up with the next young hot piece of music of merch, and the industry is closely monitoring trends in what sells and what doesn't, Peters said.

"When one or 2 T-shirt designs are making 40 to 60 per cent of a megascopic on a show, that's a style we compensate attention to, naturally," Peters said.

Artists are being allowed to come in up with their own products, just the more out-there ideas can backfire - like the super-limited edition White Stripes kilts that are still available for sale.

"Sometimes the artists think there's certain items the fans may like and then it ends up they don't," he said.

"Things will get well-tried, and if they don't work and then we precisely drop it."

Overall, the best business is coming from younger fans whose parents are often accompanying them to concerts and picking up the tab for whatever their kids take a firm stand they "must" have.

"The per head is how we gauge concert tours, and there's a significant difference between sales at a Barenaked Ladies concert and an Avril Lavigne concert," Peters said.

"Parents are more likely to drop a credit bill than people at a Barenaked Ladies concert, where you take older fans that ar still departure to corrupt something only they're going to be a little more sophisticated in their decisions."

For Churaman, he's willing to drop but draws the wrinkle at band-branded candles, wine and $750 jackets.

"I could go see like septenary Bon Jovi shows for that money," he aforementioned.








More info

Thursday, 26 June 2008

Rajendra Prasanna

Rajendra Prasanna   
Artist: Rajendra Prasanna

   Genre(s): 
Other
   



Discography:


Indian Classical Music (Flute)   
 Indian Classical Music (Flute)

   Year:    
Tracks: 4




 






Monday, 16 June 2008

Bill Cosby's famous TV sweaters up for auction

LOS ANGELES (Reuters) - Some of Bill Cosby's legendary patterned sweaters his long-running television hit "The Cosby Show" will be auctioned off next month to benefit a charity set up in memory of the actor's late son, organizers said on Thursday.


Never available to the public before, three of the iconic sweaters worn by Cosby's character, Dr. Heathcliff Huxtable, on the show in the 1980s and '90s will be sold on eBay's Giving Works charity listing arm from June 2-12. Opening bids will start at $5,000 per item on www.eBay.com/cosby.


The proceeds will benefit the education charity Hello Friend/Ennis William Cosby Foundation, which was established in 1997 by the Cosby family to continue the legacy of Cosby's son Ennis after his murder in Los Angeles.


"My mother and father were going through a storage closet, and I happened to be there and pounced on these sweaters," explained daughter Evin Cosby, who is a board member of Hello Friend.


"I told them that the price of what some of these sweaters might sell for could make a big difference in the lives of thousands of children."


"The Cosby Show" was one of the most popular sitcoms on U.S. television, airing on NBC between 1984 and 1992.


Reuters/Nielsen

Friday, 6 June 2008

Frank Sinatra, Nothing But The Best

As we approach the 10th anniversary of the demise of Francis Albert Sinatra, and as Frank Sinatra Enterprises take control of his legacy, we get the first of what will undoubtedly be a plethora of reissues, rarities and assorted merchandising ventures. However, as with Elvis, it's hard to bemoan such blatant catalogue squeezing when the man at the centre of it all is such an immense presence in modern history.

Of course, Mr Ring-A-Ding's status has been boosted over the last few years by both the rediscovery of the so-called 'Rat Pack' by a younger generation. While the oleaginous croonings of Dean Martin (or the acting skills of Peter Lawford) may not withstand such endless repackaging, Sinatra was, and always will be something of a safe bet. For anyone yet to taste the exquisite joys of the coolest swinger in town, Nothing But The Best does its introductory job very well. But when it comes to the title itself, we're perhaps on shaky ground.

The reason? well by 1960 Frank, finally elevated to the star bracket that he always knew he was born to inhabit, had fallen out of love with the corporate machinery of Capitol records; the label that made him more than the bobbysoxxers' idol. In a bold move presaging the behaviour of many '70s rock acts, he decided that he'd simply form his own label. Thus Reprise records was born. This compilation comes from that period. And while it's all good dtuff it lacks the edge of his earlier work.

However, to say the label was vanity project would be woefully inaccurate. Frank was always a consummate professional. He was also a man who loved to make records. Indeed he almost single-handedly redefined the role of the singer in the age of electricity by his peerless delivery in front of a studio microphone. Not only that but he knew his arrangers as well. Thus Nothing...is chock full of legendary names who always gave nothing but their best. Nelson Riddle, Billy May, Quincy Jones, Gordon Jenkins and Billy Strange: These are people who were hired for their innate understanding of the level of performance that Frank wanted to achieve. So, while none of these sides quite approach the mastery of Frank's defining Capitol years, they still include some amazing and historic moments. My Way, Strangers In The Night, Somethin' Stupid (with daughter, Nancy), It Was A Very Good Year, That's Life: All stand tall in the Sinatra canon. And for the completist there's even a serviceable unreleased version of Body And Soul, not to mention a DVD of his 1971 Royal Festival Hall appearance.

As stated, this makes for a warm and generous introduction to the man known as the Chairman Of The Board in his later years. But anyone who already knows what makes Frank tick, needs to take themselves back a decade or so, and immerse themselves in some of the 20th century's finest music.


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